Writing A Non Fiction Book

Writing A Non Fiction Book – You pick up a non-fiction book and make progress. You research, write and now look at all these ideas.

But how to find the best structure? How do you create it, create it, build it?

Writing A Non Fiction Book

While there is no one standard way to organize your material (nor is there one way to structure your nonfiction book), I suggest four approaches you can use to determine which one will work best for your current work.

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Think about how different types of bridges are needed for different situations. To determine the best method of crossing a mountain pass or body of water, an engineer will study the surrounding terrain and obstacles to decide which drawbridge, suspension bridge, or arch bridge will work best.

Just as an engineer must study the situation to handle any crossing and may deal with several major types of bridges, you can do the same with your book.

Feel free to apply these four approaches to structuring your short fiction, but I’ll talk about this in relation to a nonfiction book, since the book is bulkier and its organization may seem a little complicated. Once you understand how to structure your work-in-progress project, you can feel more confident moving forward with your plan.

I’m agonizing over the structure. I’m never sure I got it right. Whether you sell the reader on turning the page often depends on the structure. Every time I finish a book I feel like, “Oh, I’ve done this before.” So next time it will be easier. And it doesn’t get any easier each time. Each time, in some strange way, is similar to the first time, because it is so different.

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The book you are working on now is different from any other book you have worked on. This is different from Michael Lewis. It’s different from mine.

Elizabeth Rosner has chosen various expressions, concepts and horrors associated with the Holocaust and introduced them at the beginning of the book using the alphabet.

Rosner said the alphabet is a way to explain: “Here are all the things I’m going to talk about that I don’t really know how to talk about. These are all the words I don’t know how to explain.”

I love talking about structure and decisions. And when we talk about them after they’re finished, everything seems so thought out, and careful, and deliberate, and… everything is actually so messy and chaotic to me that it’s always surprising to me how neat and coherent it seems afterwards .

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You can see that Rosner has found this approach. It serves as an alternative table of contents for the book, she said, and of course the table of contents reflects the structure of the book. And it came through discovery.

It doesn’t really matter the method; you just need to move gradually towards clarity. When you remain open to possibilities, structure often emerges in the process of organizing and reorganizing notes, as well as in the writing process.

As you freewrite, you may begin to arrive at a structure that works for the book. When writing chapters or sections within chapters, structure can emerge naturally, organically.

You may see patterns, themes, words and concepts that suggest an approach, so keep your mind open and look carefully for opportunities.

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In fiction we talk about conspirators and pants. Plotters are people who write their novel in advance and then follow its plot very closely as they write.

Pants are people who write while sitting on their pants, which is the method of discovery they approach when writing their novel.

If we were to apply this idea of ​​conspirators and panthers to non-fiction, the panthers would write by discovery. You fly by the seat of your pants, working your way into the structure, working at it, letting it unfold before you.

This is a perfectly acceptable way to structure your book. Panthers may find it less effective than other methods, but it can produce truly rich results because it allows the process to guide and inform what they are doing.

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If you choose this approach to structure your work-in-progress project, you will be like a plotter who pre-determines a pattern that makes sense for ideas.

Some people, especially people who resist sequential, linear thinking, like to use mind maps or a group approach. You may have seen this when someone writes a word or key term in the center of a huge piece of paper or whiteboard. The video shows this in action.

In the middle of this space, you write a keyword or phrase that represents the main idea of ​​your book. Underline or circle it and let your mind think about all the subtopics. Subtopics have the potential to become book chapters or essay paragraphs, but because you’re using Mass Effect, you’re not limited to a linear outline.

You let your mind go in whatever direction it wants to go, capturing those ideas, each sub-topic flowing from the main idea with more spokes to represent the ideas and details you know you want to include.

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You can go the traditional route with Roman numerals I, II, III, IV and A, B, C, i, ii, iii.

Or you can just make lists. To do this, you can use regular numbers or bullet points to express your ideas.

Whether you use paper or board, the end result will be more linear, but you can always rearrange the order to fit in the best order.

It doesn’t really matter how you do it. Use scrap paper if you don’t have a board. Make a list of points if the mind map seems strange to you.

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Review the research you are doing or have done and compare it to decide what topics you want to cover in terms of the main concept of this book.

Once you get to that structure, write into it, just as a conspirator writes a novel with a predetermined plot.

You can leave out the “cause” if you like, although there is space in the book to describe the cause of the problem so the reader can learn how to fix it. After that, you present a solution to the problem, and most of the content will be about that solution.

Problem-Cause-Solution is a great classic structure that can be used in non-fiction projects. You’ll find it used in marketing tactics where people present a problem, address the cause, and then say, “Here’s the solution with this smart product we’re offering!”

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With this prefabricated framework, you look back at the history of what led us to a particular event or pattern in our culture, identify where we are now, and suggest where we should go—and how we can begin to move within. this is the direction.

Play with these structures as much as you like to make them work for you: for example, why not start with the present, then look back at the past and end with a look at the future: Present-Past-Future.

Don’t feel tied to order; let it inspire creativity. Play with them to suit your project.

Another classic structure you can borrow is the narrative structure. With a beginning, middle and end, you use a story to organize your material.

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Obviously, a storyline would work very well in a biography or memoir, but you can actually overlay the storyline on the ideas you want to present and let the story dictate the order in which you present your ideas.

A fourth way to structure your book is to borrow and adapt a structure you find in another book.

If you read, watch, or listen to How to Read Like a Writer, you will learn many approaches to reading that can turn a text into a teacher. By practicing these techniques, you will be able to purposefully study and analyze the structure of this book.

Look for books in which the author conveys information and ideas in an easy-to-read manner. When you find a project that is particularly effective at getting you engaged in the book and learning the material, find out what worked. The table of contents is a great place to start. How did they organize their branches?

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Be careful not to plagiarize. If you correctly copy the author’s unusual structure, you will stop using it for inspiration. However, there are a limited number of ways to organize books, so explore and get inspired.

When you read in a genre other than yours, note that you may find an idea that you can adapt and experiment with.

Let’s just say you come across a biography in which the subject’s life is organized by seasons or months of the year. You wouldn’t think of this for your guidebook, but you realize it could work.

You may not be using months, but this bio got you playing around with reorganizing your content into a four-part structure using Q1, Q2, Q3, and Q4, which would work great as a guide for readers who organize their business quarterly. goals

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And the structure no longer resembles the biography that was organized

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