Write A True Story About Yourself – People who want to become autobiographers often send us letters asking “How can I write my own story?” Try these 7 life writing tips to get you started:
There are many ways to approach life writing. You can follow a non-fiction approach and post dates, facts and memories as close to the events as possible.
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Write A True Story About Yourself
Another option is to make things up and blur the line between fact and fiction. If you want, this approach to life writing can be helpful:
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Bart presents the reader with fragments written in the third person, interspersed with captioned photographs of his youth. For example, in a fragment called “Insolence”, he writes:
He does not like the announcement of victory. Concerned about offending others, whenever victory is seen in one place, he wants to go somewhere else. Barth, Roland Barth, p. 46.
Barthes, who describes himself in the third person like a conventional biography, communicates his views and values to the reader. However, in a fragmented third-person presentation (no narration), character development feels more like short philosophical musings than a traditional linear “story”. Much is said about memory
For example, will your book cover birth to the present? Or several weeks or months spanning both sides of a major life event?
Name Introducing Me Speech “you Are An Interesting Person. Your
First-person narrators in fiction give us examples of narrative approaches to time that we can use when writing about our lives.
To start my life from the beginning, I will note that I was born on a Friday at twelve o’clock at night. Charles Dickens, David Copperfield (1850), p. 5 (1992 Wordsworth Publications).
I was born in Blunderstone, Suffolk, or ‘yeah’ as they say in Scotland. I was a child after he died. My father’s eyes were closed to the light of this world for six months when mine were opened. Dickens, David Copperfield, p. 6.
This approach to time gives a sense of the linearity of the path of life since childhood. This is a common approach to storytelling among many
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You might, for example, start with a significant event later in adulthood and return to earlier scenes that illuminate the backstory and help the reader understand what led up to what happened next.
Many writers feel intimidated when starting a new project. This is especially acute when writing about more personal experiences without the protective veil of fictional characters.
When the famous Virginia Woolf biographer Hermione Leigh was asked if fear was a useful emotion for a biographer, she replied:
Fear must somehow be channeled into the energy of work. By doing this, I think you should feel that it is yours and only you understand it. But to achieve this feeling, you have to fight and overcome your fears. Hermione Lee, interviewed for The Paris Review in “Hermione Lee, The Art of Biography #4” is available here.
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Every morning I walk up to my desk and hear these little voices saying, “She doesn’t know what she’s doing!” and I raise my hand and just sweep, sweep them off the table.
Find your own way to quell any fear, whether it’s changing the main characters’ names or completely making up your life.
Any person’s life is a large archive or significant experience and memories. The immensity of this “source material,” as Hermione Lee puts it, can be very palpable.
As a preparatory step in deciding how to write your life story, summarize the main events you want to include. Try to write just two lines for each event or scene you plan to include (you can create and organize scene summaries in our Scene Builder tool).
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At the heart of a great life (as in great fiction) is often internal conflict and/or external conflict. A major stress or experience faced by the autobiographer. This tweet
As in fiction, in life, writing in the memoirist’s voice helps create a distinct sense of character.
In her book, the famous memoirist and poet Mary Carr gives great advice to those who want to write a life.
Every great memory lives or dies 100 percent on the sound. It’s the author’s experience transmission system—a high-bandwidth cable that transmits every pixel of someone’s internal and external experience with brilliant clarity. Mary Carr, The Art of Memoir (2015), p. 35.
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Carr cautions readers against masking aspects of your own voice to appear more likable. He says:
The voice should allow a range of emotional shades – too much wisdom and denial of pathos; very sad and noisy. It establishes and varies the distance from both the material and the reader – from cool and casual to high tension and close range. The writer chooses these styles not so much because of who he is and how he experienced his past. Carr, p. 36.
In Carr’s chapter, “The Truth Deal Twixt Writer and Reader,” he discusses the value of telling the truth (rather than “expanding yourself” for your audience):
But how does truth help the reader’s experience? Let’s say you had a terrible childhood – tortured, teased and starved every day – belts, hoses, etc. you’ve been hit hard You can write a blunter memoir of suffering than a repetitive rubber knife. But will it be “true”? Before how you box it now or before that experience? Then those bullies must have been feeding you something or you would die. Carr, p. 2.
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Carr’s point is that the “truth” is often more complicated than what makes us look good (or others make us look bad).
An important lesson in how to write your life story is how to show people as more than just heroes and villains. Indeed, with more colors (and more shades of gray) to show slices of life between people’s best and worst choices, showing more complex portraits. As Carr says:
The inconsistencies of your childhood, your life between donkey tattoos and past grievances come to the reader’s eyes. Carr, p. 2. 7. Get help shaping your life story
Writing a memoir or fictional autobiography is difficult because you’re not only dealing with standard story elements (conflict, narrative, voice, etc.), but also with personal realms. Some may be more difficult to revise (or translate into prose) than others.
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Don’t be afraid to ask for help with many problems (including the problem of subjectivity).
Carr writes about sending memories to the people he included in draft manuscripts to ensure the embellishments didn’t detract from the personality or the story. Beta readers are more likely to provide valuable information if they were bystanders or active participants in the events you describe.
You can also get help from a writing coach who can help you start turning your personal experiences and anecdotes into a better and more complete story.
Jordan is a writer, editor, community manager and product developer. He holds a BA in English Literature and a BA in English Literature and Music from the University of Cape Town. All the stories you write into your life contain past, present and future, but somehow remain unique to us. subjective experience.
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Celebrate your individuality, respect that experience. This moment is your moment to live, breathe, write, watch the sunset, wake up and build what you care about.
Don’t let anyone write your story for you. Don’t leave your story to anyone. Not for love. Not for him. Or him. Or them.
And get angry. Use this jet fuel to focus on your craft and start writing consistently. But mostly, start putting your dreams and passions first.
No need to wait to get started. If you need to fuck, you can fuck. You can start again. You may trip and fall. But at some point, if you want to be the best, you have to get your ass up and keep writing.
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The world is not waiting to believe you – the world is waiting to believe you.
Fuck the people who don’t want to help you write your story – just write the story yourself and show it to them.
There will be good days, bad days, and everything in between, but don’t worry about it. Just write so well that your heart explodes like a coke-addled pop-a-rocks.
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