Ways To Tell A Story Visually

Ways To Tell A Story Visually – Written fiction is relatively unique among art forms. Cause? Because it is not visual. Unlike theatre, dance, painting, sculpture and photography, writing offers no inherent visual images. Yet, as any reader can tell you, reading a good story is a tremendous visual experience. This means that you, as a writer, have an important responsibility to make your writing more visual.

This, isn’t it? Think about the novel you are reading right now. The first thing that comes to mind is probably an image you have imagined from the author’s words.

Ways To Tell A Story Visually

This is the amazing power of wordcraft. Unlike other forms of art, writing makes you create something out of nothing. You activate the magic of your readers’ imaginations to help them, in essence, create

What Is Visual Storytelling?

Art. Unlike watching a painting, where everyone sees almost exactly what the artist put on the canvas, reading written fiction allows individual participants to paint their own mental pictures, with just a little help from the author.

This is where you come in. It may seem like readers do half or more of the work, and so writers have it completely easy compared to their visual artist brothers and sisters, but that’s not true. If anything, your job is made even more complicated by the subtleties involved in creating stunning images.

Sounds like a blast, right? Today, we’re talking about how to make your writing more visual and, in doing so, improve almost everything in your story.

Exactly the same Small black scribbles on a white page. Visually, it is as exciting as the lines of the concrete pavement outside the house. But when writers do their job well, few readers remain aware of the black-and-white reality in front of them.

Story Of My Life

Less than a month after the Battle of Lexington and Concord, on May 10, 1775, the Second Continental Congress met in Philadelphia. John Hancock was elected president. The assembled representatives of the American people decided that they would definitely fight. The Continental Army was established, appeals were made to the colonies to raise troops and money, and George Washington, who had distinguished himself as a lieutenant colonel in the French and Indian War, was appointed commander in chief.

Wandering through the Stygian darkness against a blizzard that threatened to wash the skin off his face, Carleton measured a slightly blacker line of New Jersey ice still some distance ahead. His progress was painfully slow, and every second the surge of water drove ice banks against his clumsy ship, threatening to sink or capsize. Or both.

The north-easterly swell which had buffeted the Continental Army as far as McKonkey’s ferry, increasing in intensity as they boarded a fleet of heavy black durhams, ferries and other strong boats, showed no sign of abating or worsening. . His cries drowned out the rippling oars, the splash of the water and the sound of the ice, the stamp of the horses’ hooves against the planks of the ferry, and the occasional excited cry from the animals as their feet were stamped beneath them. .

This contrasts with the dry reporting of fact in the textbook extract above. The only image it offers is that of George Washington, and only because most everyone already has his face imprinted on their memory.

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Abstractions are general things. They’re also things we take for granted, which means sometimes you might not even notice you’re using them.

Abstractions can appear at any level of the story, in plot, theme and character. At best, they use a foundation of mutual understanding to build common ground with the reader. At worst, they end up being superficial stereotypes, symptoms of writers unwilling to delve into the unique and vibrant details of their own stories.

If you can learn to replace abstractions in your descriptions and in the narrative itself, the generality of the bigger picture will often disappear effortlessly.

Like dreams, fiction communicates in images. Cause? To engage your interest in the story, to engage your narrative imagination. To affect your emotions. Images are more vivid and emotionally powerful than drawing. In writing, both are formed with words. 3 ways to make your writing more visual

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Before you can make your writing more visual for your readers, you must first be able to visualize it yourself. Most stories come to their authors in visual snippets, so you probably already have some ideas. Here’s how you can go even deeper.

, Robert Olen Butler calls the writer’s immersion in the subconscious imagination “dreaming.” He encourages writers to deliberately set aside time to focus on this.

Sit in a dark room or go out at night. Candlelight or bonfire. Turn on powerful music. Sit there for an hour or two and let your mind wander through your story. Don’t be too self-conscious when planning your plot or imagining your characters. Let the images float through your mind, like snippets of scenes from a movie trailer.

Not only will you get great images, but you’ll also find organic and powerful scenes and learn things you never knew about your characters and subjects.

So You Wanna Tell A Visual Story … Where Do You Begin?

Use the Internet to your advantage. Just as interior designers create a “mood board” to help them find the right feeling for the rooms they are decorating, you should collect images to help you turn your own imagination into concrete reality. Look for characters, settings, clothes, props.

Even if you think you already have a very clear mental image in your head, finding a specific representation in a real photo or painting can help flesh out the bones of the vague, hazy corners.

Push yourself Especially when it comes time to sit down and start drawing or writing, you tend to take a second or third look at everything in your story.

Instead of a standard castle with a moat and turret, what could you create that would add more visual originality? Instead of giving your heroine a simple locket as a souvenir, what can you think of that is more visually interesting and, even better, more distinctive?

Ways To Make Your Writing More Visual

Make sure you make the most of every character, setting, and prop in your story, no matter how insignificant.

. So let it play in your head. How would you shoot it if you were the director? What would the photograph look like? What would the soundtrack sound like? Sink into the domain of your dreams and

Does it look suspiciously like the last twenty movies you’ve seen in the theater? Then you know you have to dig even deeper to find the truly unique and interesting images that readers haven’t seen a hundred times.

Images are powerful because they’re visual: they immerse your readers in places, situations, and relationships they might never have experienced otherwise. But maybe it’s even

Use These 18 Images To Inspire Your Own Short Story

Images speak to human consciousness on a deeper level. The sea, the moon, the twilight… they talk about all this

More than superficial objects, colors and meanings. They are universal symbols, which we all understand. But they can also be specific symbols that speak to specific thematic motifs of your story.

Every image in your story offers an opportunity to enrich the deeper meanings of your story, but only if you consciously explore each scene to find specific images that will quietly emphasize your theme and advance your plot.

As you move past the obvious images to find the unique ones for your story, make sure you don’t just choose the flashy ones. Refine your options by choosing settings and accessories that have special meaning (or

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The symbolism speaks heavily to the character’s internal conflict and arc. But you’ll also want to choose images that do double duty by specifically moving your plot forward. Try to avoid images (or settings or characters or props) just for the sake of images. Every time you add a new element to a scene, ask yourself, “How can this tie in and further the external conflict of the story?” Yes

Symbolism is a powerful tool of subtext. Because it is as obvious as it is subliminal, it works to create a deeper layer of meaning without being on-the-nose or preachy. Written fiction has no greater opportunity for subtlety than in its images. When you choose a powerful image that speaks to the theme of your story, you

Even better, creating beautiful images on the page gives you a ripe opportunity to add some poetry to your prose narrative. As you can see from the beautiful examples in the chart in the previous section, great images are almost always the result of great writing.

Now that you’ve learned how to find and refine the right choice of images for your story, you can start bringing those images to life.

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“boat moved by the river” readers, you must bring the moment to life in a way that makes them feel the crashing of the waves, the splash of the water, and the warm reflection of the sun. The show gives readers the details they need to bring the scene to life in their own imaginations. It gives them the tools to become your co-writer.

Choose your words carefully: they are your only weapon. Look for specific and vibrant options. Don’t write “white”, but “bone white”, “moon white,

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