Great Ways To Start A Book – During World Book Night, we want to engage people from all over the country to celebrate and share the joy of reading – regardless of whether you read a lot or not.
We know it can be difficult to find time in your busy study schedule – we’re all working, studying, caring for others or in a hurry to get everything done. Here are some tips to help you develop the habit. Before you know it, you won’t be able to stop reading!
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Great Ways To Start A Book
Your local library is a treasure trove of all kinds of books, from classics to novels, cookbooks and titles that will help you understand and manage your health. But the greatest source of everything is the librarian. These are people who will advise you where to start – they have a lot of knowledge because they have spent their lives around books!
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Stories are a great way to progress without feeling intimidated by the hundreds of pages ahead of you. Some of the best ones are less than ten pages long, so you can browse and browse if you have five minutes. Poetry is often read quickly, but phrases and rhymes remain in memory for a long time. Why not try one of our quick reads? You may find, like Monica, that you can complete them in just a few commutes.
It is important! It’s hard to focus on getting words down on paper when there’s a lot of noise around you, so try to find time – maybe in the evenings or on weekends – to find a quiet corner to study. A comfortable chair will help, or you can find a seat at your local library. If you study on your way to or from work, listen to relaxing music that will isolate you from the outside world and help you concentrate. You can also try the audiobook.
If you can stick to a certain reading pattern – perhaps ten minutes before bed or a few pages during lunch – you should find it easier to stick to it. Plus, you’ll feel motivated when you see how much progress you’re making on your book every day.
Hopefully, you’ve gotten to the end of your poem or story and decided that you liked it so much that you’ll want to remember it for months and years to come. Like study participants, you can write down your thoughts about reading. It’s always interesting to look back and see what you read in the same article a month or a year ago and you’ll see how far you’ve come in a short period of time. How to start a chapter of a novel to attract the reader and plan the story? The following 10 examples show how to make your chapter count:
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At dawn they pour into the sky. They fly over walls, spin cart wheels on roofs and fly into rivers between houses. All the streets are twisted with them, and the strings shine white. They say this is urgent news for the people of this city. Go quickly and open the world. Anthony Doerr, All the Light We Cannot See (2014), pp. 23-35. 3.
Traces of an approaching, mysterious situation (we do not yet know why the inhabitants have to evacuate).
Often, however, providing a broad outline of where we are at this point in history helps anchor events in a specific place.
The student has the basic information needed to obtain a clear picture of the situation. Consider the beginning of Doerr’s second chapter, “Bombs”:
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They crossed the English Channel at midnight. There are twelve of them, and the songs are called: Stardust and Stormy Weather and Mood and Pistol-Packin’ Mama. The sea flows below, dotted with countless white chevrons. Soon, sailors may see a cluster of nearby islands on the horizon. France. Dorr, p. 4.
Here you will find all your location settings: Location (Channel between England and France). Time: midnight. Movement and direction by location: outside (in station). To: French Islands.
Which inspired the HBO series of the same name, is a master of building tension in a variety of ways.
“I’m fine,” the woman said. “I’m fine.” He didn’t look good in Yao’s eyes. It was his first day as a paramedic trainee. His third calling. Lianne Moriarty, Nine Perfect People (2018), p. 25 2.
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Rotation. Yao is a paramedic, and the woman (we understand from the context – because the woman says: “I’m fine”) is the person called to answer.
Dialogue is an excellent tool for building narrative tension. The pressure is mounting here for many reasons. Firstly, because it was explained that something bad was happening to this woman (an urgent need to call a paramedic). Secondly, because of the tension between Yao’s presence and the woman who claims to be good.
In Moriarty’s novel, nine strangers (as the title suggests) meet at a spa, where the agenda becomes least suspicious.
On a warm, cloudless January day, former romance author Frances Welty drove alone on a winding road six hours northwest from her home in Sydney. Moriarty, Nine Perfect Strangers, p. 23. 6.
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Since Moriarty provides information to determine what happened 10 years after the events of the first chapter,
Connection between the events of chapter one and two. Although the full extent of their connection is still unclear (if Frances signed up for a wellness retreat organized by the woman from Chapter 1).
That’s one of the great joys of storytelling: you can skip days, months, years and go back in time.
Your story doesn’t have to follow a linear path through time, and you can use this to create emotion in the empty spaces between events or to slowly fill in parts of the story without a linear timeline.
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Just as sometimes it’s interesting to jump forward in time, as Moriarty does, sometimes it’s worth going back in time.
This is especially true of historical fiction such as George R. R. Martin’s history of Westeros, the historical world.
The Lords of the Citadel, who keep the history of Westeros, have used Aegon’s Conquest as a touchstone for the past three hundred years. Births, deaths, battles, and other events are marked as AC (post-conquest) or BC (pre-conquest). George R. R. Martin, Fire and Blood (2018), pp. 23-35. 2.
Starting with the dating system used by world historians, Martin creates the feel of an authentic history book.
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The first chapter gives us a time shift, then reports of individual actions and activities provide more detail. So we have a good structure, from a general beginning to narrowing it down to one symbolic event.
How do you start a chapter in a novel so that the reader has a vague idea of what’s to come, but at the same time looks forward to the events clearly coming into focus?
The long reign of King Aegon I Targaryen (1–37 AC) was largely peaceful… especially in his later years. But before the Serpent Peace, as the last two decades of his reign were later called by the rulers of the Citadel, came the Serpent Wars, the last of which was as fierce and bloody a conflict as any conflict fought in Westeros. Martin, Fire and Blood, p. 23. 26.
Martin’s description of the Dragon Wars as a “brutal and bloody” conflict tells the reader that the story will reveal important details of said conflict.
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When I was born, there was no name for who I was. They called me vulgar, thinking I would be like my mother, aunt and thousand cousins. At least for the lesser goddesses, our power was so modest that they could not be sure of our eternity. We talked to fish and grew flowers and covered the drops of clouds and salt from the waves. This word, nymph, defined the length and breadth of our future. In our language it means not only a goddess, but also a bride. Madeline Miller, Circe (2018), pp. 20-30. 2.
In this paragraph we learn some interesting facts about Circe – that she is a nymph, and what defines this group is that she is a “little goddess” with “modest power.”
It showed up. So we get both interesting facts about the cultural context into which Circe was born, and a hint that her world has changed in many ways since then.
The news spread that one of my uncles would be punished. I never saw him, but I heard his name many times in rumors about my family’s destruction. Prometheus. Miller, Circe, p. 23. 14.
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Miller tells us to wait until we find out what punishment is and what it is for. We quickly learn that Prometheus’ punishment for being God’s fire is a myth.
And I only saw him there on the stone bridge, the green spirit dancer, because that was how they could bring him back when I was young, when the land of Virginia was still there.
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