Comic Books For Beginner Readers – Haylee loves wishing on the stars, but only on shooting stars. One night, instead of hopping away, the “little yellow rocket” she pleads with her most urgent matter comes closer and closer, bigger and bigger, until (“uh- oh”) she knocks her over and lands on her knees. It seems that Comet was also alone: ”I was in my own orbit, with no one else to share it.” Together they build a Friend Ship from a kit. There are lots of pieces, but no instructions, so they use their imagination. Haylee starts on the front, Comet on the back. When they’re done, Haylee’s half of the ship looks ready to sail the ocean, Comet’s half to fly into space. “Oh oh.” But then the deep blue sea reminds Comet of space, and Comet reminds Haylee of a dolphin jumping and playing in the waves. There are several “uh-ohs” along the way as Comet adjusts to the ups and downs of an earthly relationship (“growing things is hard”), which makes this story so authentic. The clever puns and picturesque doodles of Marcero (author/illustrator of the picture books “My Heart Is a Compass” and “In a Jar”) will keep readers hungry for adventure after adventure.
Inimitable Italian picture book author and illustrator Sergio Ruzzier (“Fox + Chicken,” “Two Mice”) delves his pastel-watercolor brush into the comic book format with a poignant and tongue-in-cheek new series , perfect for beginning readers. “Mom, I’m bored. And it’s dark and cold here. I’m going out,” announces a little pink fish, already before breakfast, and swims to the surface of the sea. Unfortunately, it’s outside ” so dark and cold and boring.” Until a bright yellow creature with octopus-like arms appears – “You’re very hot,” the fish marvels; “Thank you,” the sun responds – and they play a happy, whimsical game of hide-and-seek. and search. Then, just as their pleasure reaches a crescendo: “Sun, are you okay?” You look a little flushed.” “I know. I put. » Fortunately, Sun reappears the next day, after a bout of anxious grayness, and more discreet verbal and visual banter ensues.
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Comic Books For Beginner Readers
A New Zealand cartoonist (best known for “Blastosaurus”) and host of the popular podcast “Fortress of Comic News,” Fairgray not only writes and draws his work, but he also colors it himself – all the more remarkable because he is legally blind – and its texture is rich. the nuances are dazzling. This second book in his deliciously creepy Summer Beach House series opens with a “Before…” ending, so it’s quite enjoyable in its own right. Dash, 12, and three of his friends are still at Black Sand Beach, where his father’s family owns a house – well, more like a cabin. (Only a few horror-filled days of their stay were covered in the first book, “Are You Afraid of the Light?”) This episode takes place as they read entries from an old journal of Dash’s on the An even scarier previous summer than her best friend, Lily, found in the basement of the haunted lighthouse. Dash has no memory of
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At Black Sand Beach that summer, let alone journaling, so the book within the book is as much a page-turner with a flashlight under the cover for them as the graphic novel is for us . While we encounter a zombie sheep monster, a giant venomous cobra, and a ravenous blob that steals people’s faces, the real monsters are closer to home: an absent mother; a sometimes mean mother-in-law; a crazy aunt and cousin; bottom-feeding neighbors; and, yes, his own face in the mirror.
Set on Martha’s Vineyard in the summer of 1974, during the filming of “Jaws” (here called “SHARK!”), this debut graphic novel is about filmmaking, friendship and the dark secrets of history. It’s also about four young people trying to discover who they are. As in the amateur documentary that the three of them are trying to make while the blockbuster is being filmed among them, they begin to believe that their story is one thing and that it turns out to be something completely different. Marcks, who teaches comics online, has achieved an unusual feat with this cinematic homage: he has produced a metagraphic novel that manages to deconstruct a genre, pay homage to it, and keep the reader happily absorbed in it all at the same time . More popcorn please! (A “Jaws”-inspired Easter egg hunt is recommended.)
DC anti-hero John Constantine first appeared in the 1980s “Swamp Thing” comics, where he was attracted to Sting’s image. He then starred in the series “Hellblazer” and “Constantine” and also appeared in Neil Gaiman’s comics. This new graphic novel series from North and Charm (the duo behind the Eisner Award-winning “Unbeatable Squirrel Girl” series) is a prequel of sorts, chronicling Constantine’s life as a young “damn blazer” and his development as a wizard. Shortly after we meet, the 13-year-old British thug is sent by his parents to an American boarding school in Salem, Massachusetts, where he teams up with Anna (Zatanna Zatara, who becomes a superhero), the only other pupil. to the school, who seems to have magical powers, to investigate why their witch of a history teacher not only hates him on the spot, but also plans to destroy the world. Ms. Kayla has a Cruella de Vil-like white streak in her hair and looks at him through satanic red glasses. But remember what history teaches us about witch hunting. Alongside the friends in their half-scary, half-satirical fight against evil is also the good demon Etrigan, who loves heavy metal music and speaks in rhyme.
“Miles Morales: Shock Waves: A Spider-Man Graphic Novel” by Justin A. Reynolds and Pablo Leon (Marvel/Scholastic Graphix, June 1)
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Not to be confused with Peter Parker, the other Spider-Man from Queens, Miles Morales lives in Brooklyn, where he attends a charter school. (Far from being rivals, however, he and Parker are mutually supportive friends.) When an earthquake hits Puerto Rico, his mother’s birthplace, Morales helps organize a fundraiser. Then a new classmate’s father, who works as a security analyst for the event’s biggest sponsor, disappears. Reynolds (author of the young adult novels “Opposite of Always” and “Early Departures”) and Leon (2019 Eisner Award nominee for his original comic strip “The Journey,” featuring true accounts of Latin American migrants) highlight emphasis on family and ethnic ties. pride.
When Mei was little, her father told her stories about Chinese heroes and gods. But he didn’t tell her any more. It’s the late 1800s and Hao is a chef at a logging camp in the Sierra Nevada, responsible for feeding 100 loggers and 40 Chinese laborers who pay for their own meals. Mei helps in the kitchen. Although she was born in Reno and has never been to China, she now tells the children at camp her own Chinese stories – lively, inspiring Paul Bunyan-style stories about old Po Pan Yin (“Aunt Po”) who “led the most efficient logging crew west of the Mississippi,” and his faithful blue water buffalo, Pei Pei. Khor, a Malaysian-Chinese immigrant and American citizen since 2011, draws Aunt Po as a giantess, with superhuman strength, and writes her wise words. Anti-Asian racism is omnipresent: a few Chinese workers are attacked and injured by “backpackers” determined to drive them out of town, and the foreman is threatened with a boycott if he continues to hire them. In this hopeful, humane and empowering story, it is presented in English and Cantonese (the translations were done by Khor’s mother and most of the Chinese characters are in her handwriting.) Mei’s silent crush on the foreman’s daughter, Bee, as she grew up with, is a charming and subtle subplot.
The Indian-American author and illustrator of the 2017 graphic novel “Pashmina” follows two Bangladeshi-American Muslim cousins as they time travel through decades of music history via a rare custom jukebox ( who reads entire 12-inch albums) to find clues to the disappearance by the girl’s white father. Bessie Smith’s “Nobody Knows You When You’re Down and Out” takes them to Harlem’s Savoy Ballroom in 1929; Nina Simone’s “Black Gold” for a women’s liberation march in Washington, D.C. in 1970; James Brown’s “I Got the Feelin’” for the concert that kept Boston calm in the wake of Martin Luther King Jr.’s assassination in 1968; “What’s Going On” by Marvin Gaye in Chicago for Bud Billiken Day (the largest African-American parade in the United States) and in San Francisco for a demonstration against the Vietnam War in 1971. Although his obsession father for music is initially what separates Shahi from him, in his search
That music brings her closer to him and her cousin, in addition to helping her understand herself better. A playlist of songs from the artists mentioned in the book is included in the back.
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When Vega is upset about moving from Portland, Oregon to Seattle – away from her only close friend, Halley (both astronomy enthusiasts whose favorite activity is stargazing) – her two fathers send him to a camp that promises
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